Review: Someone, Not Just Anyone, Revisits the Music of Todd Rundgren


Fernando Perdomo and Quite a lot of Artists | Any individual/Somebody? | Ferdomo Perdomo Tune
4 out of 5 Stars

Over the process his fairly temporary occupation, manufacturer/musician Fernando Perdomo has confirmed that there’s not anything past his ingenious sphere. He’s labored with any collection of legends, organizing a tribute to the overdue Greg Lake at the prog orientated Cruise to the Edge, to running as a core member of the Echo within the Canyon documentary space band, organizing a Fiftieth-anniversary tribute to Paul McCartney’s Ram album, collaborations with drummer Carmine Appice, Harry Nilsson’s son Zak Nilsson and plenty of albums underneath his personal aegis. His output has been impressive, even because it takes an array of ever-ambitious initiatives.

His newest, a salute to Todd Rundgren’s 1972 opus of varieties, One thing/Anything else? could also be his boldest effort but. Perdomo’s accumulated a outstanding array of Rundgren disciples to salute an album that had a lingering affect on nearly each energy pop time out that gave the impression in its wake and stays a regular for excellence and creativeness to at the moment. The array of songs gleaned over the process the double-disc asserts that truth—“I See the Mild,” “It Wouldn’t Have Made Any Distinction,” “Black Maria,” and maximum particularly, “Hi It’s Me,” the latter initially recorded via his band Nazz after which reconfigured in a extra stripped-down surroundings. 

Any individual/Somebody? retraces all the ones tracks and provides a number of Rundgren-related bonus tracks as smartly, all of that are revisited and rebooted via an outstanding array of collaborators that incorporates Louise Goffin, Ken Sharp, Robyn Gregory of the Brian Wilson band, Rungren’s ever-faithful sidekick Kasim Sulton, Victor Wainwright, Marshall Crenshaw, Jordan Rudess of Dream Theater, The Smithereens’ Dennis Diken, Stan Lynch, Brent Bourgeois, and bluesman Albert Castiglia. Every artist does a faultless activity of sharing his or her task, opting for, for essentially the most phase, to stick true to the unique preparations.

It’s a smart transfer; it might be tricky to toughen on Rundgren’s authentic template. But the truth that Perdomo had the foresight to check this effort, first of all, speaks as a lot to his ingenuity and creativeness because it does to the supply of the songs himself. To borrow some other Todd name, Perdomo has obviously earned the best to be referred to as a wizard, a real megastar as smartly.

Picture via Scott Dudelson/Getty Photographs